Monday, April 29, 2013

Reportage da Knutepunkt

Ancora un mio articolo nella rubrica Mondo Larp di Andrea Castellani:

Knutepunkt 2013: una scorpacciata di cibo per la mente

Thursday, April 11, 2013

Tree of Worlds #2: “Hub Worlds”, and introducing the Tree itself

The tree as a metaphorical image of the cosmos sports quite an impressive tradition: from the Yggdrasil of Norse mythology, to the tree-like Yosher scheme for arranging Sephirot in the Kabbalah, to give just a couple outstanding examples. And that’s why I chose Tree of Worlds as a working title or, maybe more correctly, why “tree” as an ingredient inspired me to tackle an Everway remake.
But I also want a “Tree of Worlds” to be an actual thing in the game. From now on, when I speak about the Tree I mean a graphic like this:


This is going to be the focal point for long-term play, the central artifact of a “campaign”. Beginning as a mere blank page, the Tree is at once a journal of the stories and events we as a group enacted in play, and a summary of the state of the whole universe (or, rather, the sum of all worlds already known to us, the players). The arrows, especially, are meant to be drawn in pencil, and to be constantly updated – between sessions – as a consequence of the latest fictional events.
First, the player-characters are walking the Spheres, thus discovering and exploring new worlds, which we add to the Tree as we get to know them. Second, such characters are exceptional – both in being “heroic” and merely because of being outsiders – which means they affect the worlds they travel through and, most especially, the relationships between worlds (in fact, there would be no contact between Spheres if not for Spherewalkers, right?).
I’m interested in “mechanizing” or quantifying this upkeep somewhat, so that the actions of the player-characters during each session of play translate into a finite number of changes to the Tree, depending on their magnitude. But more on this later, in some future installment.

Hub Worlds

The first thing we need to mark on the Tree, at the beginning of a campaign, is a central bubble representing our Hub World – which is: a place suitable as a base of operations for spherewalkers, by virtue of containing an unusually high number of Gates.
The city of Everway, introduced in the original game-set, is of course a perfectly suitable Hub World: it’s both the prototype and the source for the concept. For my tastes, though, the city of Everway as detailed there is quite overwritten: the amount of information given, 1990s style, is apparently meant to support complex adventures set within Everway itself, or to be used as building blocks for writing long and detailed character backgrounds — neither of which is going to be a huge point of interest for me. My guess is that using by-the-book Everway as your Hub World is only going to be the best choice if you’re a group of old-hands at Everway, thus already familiar with that city, or if the majority of you likes to learn about a setting by reading. In my case, though, it would probably degenerate into me lecturing my fellow players about the setting, which I think would be a *bad* idea.
In the (more likely) case that your friends are not already well-read about the city of Everway, I suggest creating a Hub World of your own as a group brainstorming session. It doesn’t need be very detailed! You can probably complete the task within a hour, and then proceed to make characters.
You can start from a bunch of Vision Cards, or any other source of inspiration, such as referencing some historical real-world civilization. You just need to envision something. Then ask this core question and try to answer it as a group: how has the presence of so many Gates and so many Spherewalkers changed this society? As with all such matters, by giving the first and most obvious answers to cross your mind, you’re bound to surprise each other. If you want, you can get more detailed by answering some additional questions, such as:
  • How frequent are Spherewalkers within the local populace? (it’s 1% in the City of Everway)
  • Are native Spherewalkers identified as a separate social group, maybe as a caste or as members of a special trade?
  • How does one learn they’re a Spherewalker? Is this known from birth, or is there a training one undergoes, or a test, etc.
  • How do natives feel toward non-native Spherewalkers?
  • How does sphere-walking feature into the local economy?
  • Are there any “neighboring” worlds, sphere-walking to and from which is especially common (these can be marked on the Tree already)? Maybe regular trade or diplomatic relationships through these particular Gates? How frequent are such travels?
  • What does the typical Gate look like here (if it makes sense to speak of a “typical” Gate)?
  • Is the access to Gates somehow regulated (are Gates guarded, etc.)?
  • How scattered or concentrated are these Gates?
  • How easy or hard to find can Gates be in this Realm?
  • Do local Spherewalkers believe they know of all the existing Gates in this realm, or do they look forward to discovering more?
  • How are Gates and Spherewalkers politically relevant?
  • How much does the general populace actually know about Gates and sphere-walking?
Whatever you do, though, I suggest you don’t decide on the exact number of Gates in your Hub World and, especially, that you don’t compile a comprehensive list of destinations such as the one found in the Everway Player’s Guide. I think it’s excessively limiting and ultimately counter-productive to do so, in that it greatly reduces your opportunities for creating adventures rather than expand them. In fact, if you do use Everway as your Hub World, I advise you to disregard that list of Realms and only use it as suggestions of possible worlds (excellent suggestions, I add), but never as the ultimate index of available destinations from there — lest you get mired down in the logistics of getting from point A to point B, making your adventures needlessly complicated.